Springsteen continues to amaze in his not-that-old-age. Coming off the great Magic, an album that sounded like an E Street album when I thought we'd never get one again, I was waiting for Bruce to run in the other direction like he often does (Tunnel of Love, Seeger Sessions). I figured we were due for an opera.
Instead we get Pet Sounds. It's hard to grasp what Springsteen Pet Sounds sounds like until you hear it, but once you do you'll know what I mean.
Track by Track:
1. Outlaw Pete. The Thunder Road for this album. 8 minutes long and it's fast and slow and rocks and mellow and operatic. Nice leadoff.
2. My Lucky Day. A very springsteeny Springsteen song. This is the "typical" Bruce song he tried to write with Mary's Place which always sounds to me like an imitation Bruce song. My Lucky Day is right in the sweet spot, except for an obviously tacked-on-later sax solo that is too loud for the mix. I think this album would have been better off without trying to include the Big Man.
3. Working On A Dream. You've heard the single and blown it off. It works much better in context here.
4. Queen of the Supermarket. Jungleland for the 21st Century. Yes I said Jungleland. One of Bruce's greatest compositions ever.
5. What Love Can Do. Not as strong as the first 4 but it's got a good beat and won't bother you. Like "I'm Going Down" it's not amazing but not bad.
6. This Life. I like the lyrics but I don't know what Bruce is going for here. Is he deliberately trying to sing flat?
7. Good Eye. Got nothing for ya. I can't even remember this one.
8. Tomorrow Never Knows. Not the Beatles song. Straight forward jangly guitar piece. It's ok.
9. Life Itself. This one is officially out there now and it's one of the secret masterpieces (along with Supermarket). This seems to be the song really grabbing me, even though stylistically it sounds more like the Secret Garden era than Born To Run. Trust me and don't be scared.
10. Kingdom of Days. Around now you wonder if "Side 2" isn't that good but then you get...
11. Suprise Surprise. Springsteen writes a birthday song that will get as much play as the Beatles version. This one sounds like a Byrds cover and it's one of the best on the album.
12. The Last Carnival. Eh.
13. The Wrestler. You have heard this one and blown it off. It works much better in context as the album capper.
Really great album, as in complete work. It's not random pieces pressed to a CD, it's a body of work and you should listen to it that way.